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Since its launch two months ago Draw and Fold Over is still going strong and yesterday we were contacted by Mark Sinclair at Creative Review who had just stumbled across it. In his words ‘I love it, lots of fun‘ – read more on his blog post here and if you still haven’t had a go yourself, you really should. www.drawandfoldover.com

The much anticipated Matt’s House video content we produced for BE Broadband is now live! (You might still remember the pictures of our very own Mark and Gav from the shoot….)
It stars BE Broadband’s very own Forum Manager Matt’s genius is usually locked safely away in his brain. But we take a step not only through Matt’s front door, but into his mind’s eye, to see your internet connection the way he does. See if you can pick up some tips to make your connection faster in ‘Matt’s House’. See it at www.bethere.co.uk/mattshouse
This is the first content piece to come out of BE’s ongoing Real World Speed creative platform, which is an introduction to the world of hacking together the future of access – A ‘top-tips’ video series to educate BE Members (and everyone else) on how to seek out that extra performance from their copper wire.
It is the fact that many internet users don’t get the speed that their ISP has promised through their advertising that has led BE to adopt the Real World Speed proposition. Most people struggle with their broadband speed. They get much less than they were quoted for and they don’t have an active community within their ISP to get help. With these very creative online videos, we not only showed how enthusiastic BE Broadband is about, well, broadband, but also how people can maximise their speed with these simple 2-minute videos, even non-geeky types can optimise their speed.

This week some of the Albion team are out in Auckland shooting a campaign for Air New Zealand’s new long haul product. The shoot is happening at “Hangar 9″, a place that for 3 years previous, had been a secret to the world and even most of the company itself. Inside this Auckland warehouse is a full scale replica of a 777-300 – the only one in existence outside of Boeing.

The hangar is now a pretty sophisticated media briefing center. More akin to a museum than a development facility. The walls are lined with the development story and there are mock ups of all the new seating plus some versions of the ones that didn’t quite make it along the way.

In every way the site has the ability to function like a plane on the ground. There are onboard ovens, in-flight entertainment units and even aviation power generators. Although Air New Zealand take delivery of the new planes at the end of the year, every detail of the product is still being tweaked inside Hangar 9 – food menus, cutlery design, carpets, curtains. Nothing is being left unscrutinised.

What’s evident is the commitment (and – ouch! – the investment) the company has put into the project. What we love most about working with Air New Zealand is the way they approach everything they do with a sense that anything can be achieved. And for the first time the customer has been put first in the flying experience. The new long haul planes fly LON-LAX from April 2011. In the mean time we’ve posted a couple of interesting vids below about the design process and a walk through of the product in Hangar 9.

We in the middle of shooting a bunch of online banners for Air New Zealand. One placement is quite tricky as it uses a video overlay between two banner spaces which needs to be shot in camera without any forgiving flash animation.

After many different attempts to map out the action to fit the space, we cracked the solution: two holes in a bit of paper pasted to the preview monitor. Proof that when going digital, sometimes the best approach is analogue.

We’ve just finished making the promos for Channel five’s Don’t Stop Believing. If you are a Glee fan you’re in luck. If not, you may well dig this show too. It plays out live, starting late July and is five’s biggest investment ever in creating an entertainment program. Unlike most talent shows, the interest wont hinge on the cruelty of putting down the rejects. Each week 6 groups of auditioned people go through heats. The groups will be made up all different ages, shapes and sizes of at least five people, but some will contain over 100 individuals.

Our promo aims to capture to capture the upbeat, uncynical nature of the show. We cast over 1000 people for the spot. The real challenge was that we couldn’t feature any of the groups competing in the show as we didn’t want to show favoritism! Some of the groups we have put together ourselves(Simon Cowell eat your heart out), and some of the groups came to us as a team. The yellow group is actually a gospel choir – keep an ear out for Cathy’s voice who is the blonde girl who leads the group – absolutely stunning. The blue team are a barber shop quartet; eh, well actually we ended up making them a triplet. Within the main group at the end is The Choir With No Name made up of homeless people.

You’ll notice a pianola at the beginning of the spot that Emma Bunton activates. We managed to find the only living person in the UK who is able to program pianolas with the original paper-style script. He told us that suitable paper is becoming increasingly hard to find. The scrolls are hand-perforated although he does now use a computer to map out the notes. The 80 year old who owns the pianola doesn’t know that his keys were carefully rainbow-ified with colored film. Looks pretty cool though.

The spot was beautifully crafted by Kim Gehrig (and her ever patient producer Dom) at Academy. With music by the audio wizards Nick and Ollie at Soundtree.